We invited Mexican artist and founder of Soma, Yoshua Okón to talk about the harmful effects of Canadian mining in Mexico. His ideas will be presented as part of The bank, the mine, the colony, the crime: A walk for the radical imagination against Bay Street, organized by Walking Lab. This event will be part of the 2019 Toronto Biennial of Art.
Objects in Mirrors presents the work of Mexican artists who directly challenge practices and politics of foreign extraction in their country. Our objective is to introduce participants to Canadian extractivism in Latin America via the critical perspectives of artists living in directly affected areas. Participants will be given the opportunity to view visual art and performances of some of the key anti-extractivist artists in Mexico through a link to a dedicated website, sponsored by the Institute for Creative Exchange.
In this event, we will meet at Bay Wellington Tower, where Alamos Gold and New Gold have their offices in Toronto.
Yoshua Okón was born in Mexico City in 1970 where he currently lives. His work, like a series of near-sociological experiments executed for the camera, blends staged situations, documentation and improvisation and questions habitual perceptions of reality and truth, selfhood and morality. In 2002 he received an MFA from UCLA with a Fulbright scholarship. His solo shows exhibitions include: Yoshua Okón: Collateral, MUAC, Mexico City and Amparo Museum, Puebla; Yoshua Okón, Ghebaly Gallery, LA; Yoshua Okón: In the Land of Ownership, ASAKUSA Tokyo; Salò Island, UC Irvine, Irvine; Piovra, Kaufmann Repetto, Milan; Poulpe, Mor Charpentier, Paris; Octopus, Cornerhouse, Manchester and Hammer Museum, Los Angeles and SUBTITLE, Städtische Kunsthalle, Munich. His group exhibitions include: Manifesta 11, Zurich; Istanbul Biennale, Istanbul; Gwangju Biennale, Korea; Antes de la resaca, MUAC, Mexico City; Incongruous, Musèe Cantonal des Beaux-Arts, Lausanne; The Mole´s Horizon, Palais des Beaux-Arts, Brussels; Mercosur Biennial, Porto Alegre; Amateurs, CCA Wattis; San Francisco; Laughing in a Foreign Language, Hayward Gallery, London; Adaptive Behavior, New Museum, NY and Mexico City: an exhibition about the exchange rates between bodies and values, PS1, MoMA, NY, and Kunstwerke, Berlin. His work is included in the collections of Tate Modern, Hammer Museum, LACMA, Colección Jumex, and MUAC, among others.
More about Yoshua Okón and his work can be found here: www.yoshuaokon.com
His comments about Canadian mining in Mexico are here: